By Allison Ann Aller
Allie exhibits readers tips on how to make loopy quilting extra modern with an array of easy-to-master thoughts. express your consumers how you can mix conventional equipment with smooth textile tips. The picture gallery finds simply how artistic and glossy loopy quilting can be-and someone can do it.
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Extra info for Allie Aller's Crazy Quilting: Modern Piecing & Embellishing Techniques for Joyful Stitching
57 , Gallery of Inspiration e “Inspired by antique crazy quilt fans in my collection, I had to make one myself,” says Betty. ” Crazy Quilting: I’m a Fan, 25˝ × 17˝, by Betty Pillsbury, 2005 L ike other quiltmaking genres, crazy quilts are evolving. New technologies and supplies are certainly a factor in this evolution, but I think the deeper reason is the increased freedom each quiltmaker feels in exploring his or her own interpretation of what crazy quilting means. The parameters of what makes a crazy quilt, well, crazy, are still in evidence: the juxtaposition of various fabrics, some randomness to the piecing, embellishment along the seams and within the shapes of fabrics, the absence of quilting.
That way, if your thread should break, the beads won’t all fall off. Â— If you have secured a large bead with a seed bead, and the large bead flops in the wrong direction, use a toothpick to put a tiny dab of E-6000 glue (available at any craft store) on the back; then press the bead into place in the desired position. ” You’ll have a nice mix to dip into when you need just a bead or two here and there, and you don’t want to dig into your bead stash. Laces and premade flowers painted with Liquitex, shown next to their unpainted counterparts Adding color to lace, trim, and premade ribbon flowers from the craft store is such fun.
When I discovered that I could embroider cross-stitch designs by machine, I used that process as the basis of My Favorite Things. ” My Favorite Things, 60˝ × 60˝, by Debra Spincic, 2009 Detail of My Favorite Things Gallery of Inspirationï»¿ 61 , e “I have an attraction to both vintage linens and old holy card images,” says Barbara. “I chose a household item and a personal item—a tea towel and a hankie—as foundations for a crazy quilt featuring St. ’ I wanted to mirror her insight that there is grace in the simple and the everyday.