By S. Rosenbaum
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Extra info for Aspects of Bloomsbury: Studies in Modern English Literary and Intellectual History
H. Bradley in 1916. By 1920, however, Eliot was comparing Russell and Bradley as follows: 'Certain works of philosophy can be called works of art: much of Aristotle Bertrand Russell: The Logic of a Literary Symbol 43 and Plato, Spinoza, parts of Hume, Mr. Bradley's Principles of Logic, Mr. Russell's essay on "Denoting": dear and beautifully formed thought/ Bergson, whom Eliot admired before encountering Russell, comes off badly in comparison with these touchstones. The mixture of metaphysics and style that was F.
For all its obscure lyricism, 'Time Passes' is still the most sustained impersonal meditation on man and nature, on consciousness and its non-conscious environment, anywhere in Virginia Woolf's fiction. Amid the passing of time, the deaths of the old and the young, we are presented with the ineluctable separateness of nature from human consciousness of it. The difference between the human and the non-human pervades the whole section, even though 'the pool of time' that the house of the Ramsays is temporarily rescued from by Mrs McNab eventually includes people together with things.
267), thinking of love and of death, Lily repeats her question about the meaning of life: What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? If, she goes on silently addressing the old poet Carmichael (according to Ramsay he might have been a great philosopher), the two of them could demand an explanation of why life was so inexplicable, then the space of her canvas would fill and Mrs Ramsay would return (p.