By Jennifer M. Jeffers (auth.)
This is the 1st booklet to target masculinity in Samuel Beckett's paintings that allows you to comprehend his ancient and nationwide context, the trouble of examining and examining his texts, and his ruthless disintegration of sexual and gendered norms all through his oeuvre.
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Extra info for Beckett’s Masculinity
C. Beckett addresses the Protestant Irish writer’s plight as one in which the Anglo-Irish writer cannot be held culpable for his/ her account of an exclusive Anglo-Irish world: It is certainly difficult, and perhaps impossible, for an Irish novelist to give a whole picture of a society so deeply divided as that of Ireland. If he is true to his material the division must be reflected in his work; and the manner in which it is reflected is bound to be coloured by his own background. The Anglo-Irish novelists cannot fairly be blamed for giving an incomplete or one-sided view of Irish society.
In the novel, the night before the text’s first tennis party, Lois, walking on her uncle’s grounds on a “fine night,” encounters a strange man who silently passes her. Shocked that he did not regard her on her uncle’s property, she muses to herself: It must be because of Ireland he was in such a hurry; down from the mountains, making a short cut through their demesne. Here was something else that she could not share. ’”91 The Becketts were not Irish Catholic Nationalists, nor were they attached to the land— except in a middle-class suburban way.
Traumatized Masculinity ● 21 historical events of Dublin burning or the experience of partition, he does record the memory of his Protestant childhood and family. Beckett’s early memories are the principal recurring images throughout his fifty-year writing career. Historically, it is well known that the most obvious levels of power in the West are gendered: patriarchal hegemony over the female, and colonial masculine hegemony over the feminized colonial. Ashis Nandy argues that the British attempted to foist Western patriarchal discourses onto colonial subjects for the purposes of control: “Colonialism .