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By J. D. Robb

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Novel 25 from the continued In demise sequence by way of Nora Roberts writing as J. D. Robb

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The twenty fifth In loss of life novel from no 1 New York Times bestselling writer

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Additional resources for Creation in Death (In Death, Book 25)

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Texas Hold’em: Setup and Basic Play 9                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        The Role of the Dealer                                                                                                                                                                                                                                                                                                                                                                              10 Play Poker Like the Pros The Role of the Button: Whose Deal Is It?

Texas Hold’em: Setup and Basic Play 9                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        The Role of the Dealer                                                                                                                                                                                                                                                                                                                                                                              10 Play Poker Like the Pros The Role of the Button: Whose Deal Is It?

Texas Hold’em: Setup and Basic Play 9                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        The Role of the Dealer                                                                                                                                                                                                                                                                                                                                                                              10 Play Poker Like the Pros The Role of the Button: Whose Deal Is It?

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