By Roland Boer
This quantity contains a severe observation at the interactions among Marxism and theology within the paintings of the key figures of Western Marxism. It bargains with the theological writings of Ernst Bloch, Walter Benjamin, Louis Althusser, Henri Lefebvre, Antonio Gramsci, Terry Eagleton, Slavoj Žižek and Theodor Adorno. in lots of instances their theological writings are handled for the 1st time during this booklet. it really is brilliant how a lot theological fabric there's and the way little commentators have handled it. except the serious engagement with the way in which they use theology, the e-book additionally explores how their theological writings infiltrate and enhance their Marxist paintings. The publication has 3 components: Biblical Marxists (Bloch and Benjamin), Catholic Marxists (Althusser, Lefebvre, Gramsci and Eagleton), and the Protestant flip (Žižek and Adorno).
"The culture of the Marxist reference and demanding appropriation of Christian legacy is a protracted one, beginning with the overdue Friedrich Engels. throughout the XXth century, it left its mark on the various maximum Marxist figures, from Gramsci to Benjamin, and it used to be given a brand new increase within the final years via Agamben and Badiou. Boer’s ebook, the 1st one to provide an in depth assessment of this complete culture, is way greater than an insignificant severe compendium. One often says approximately introductions and overviews that they prevail in the event that they deliver the reader to have a look at the unique texts themselves. feedback of Heaven stands absolutely by itself, reaching an ideal stability among a close exegesis and the deployment of the interpreter’s personal place. In a virtually mind-blowing means, the extra we comprehend the interpreted authors, the extra we listen Boer’s personal voice. An quintessential quantity not just for these drawn to the subject, yet for all who attempt for a cognitive mapping of today’s confusing kingdom of items.
(Slavoj Žižek, Birkbeck university, London)
"In his hugely exciting and proper paintings, Roland Boer, esteemed and prolific biblical student, bargains a traveller’s advisor to eu Neo- Marxist positions from the viewpoint in their numerous biblical and theological bearings. Roland Boer’s magnificent exposition and hugely debatable interpretations recommend that Marxism is the final inn of a bona fide Calvinist theology of grace.
(Carsten Pallesen, Professor of Theology, collage of Copenhagen)
Praise for Marxist feedback of the Bible
“An amazing journey de strength during which the different types of Marxist feedback are marshalled to enquire the extreme richness in either shape and content material of the Hebrew Bible. it's a lesson in dialectical feedback absolutely up to in Biblical Studies."
(Fredric Jameson, Duke University)
"All [...] of those essays are worth examining. They embrace the fruit of a long time of mirrored image and exhibit a so much remarkable command of an enormous and heterogeneous literature. they're insightful, thought-provoking, and in addition unique within the feel of showing unforeseen facets of these less than dialogue. the fashion is usually a bit arch, however the research is usually big and the overview really appropriate. nobody studying Boer will come away with out being greater knowledgeable and wiser."
David McLellan, Marx and Philosophy overview of Books
Read Online or Download Criticism of Heaven: On Marxism and Theology (Historical Materialism Book Series, Volume 18) PDF
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Additional resources for Criticism of Heaven: On Marxism and Theology (Historical Materialism Book Series, Volume 18)
Bloch is less interested in the everyday breaks that show the hand of the redactor with monotonous regularity. Rather, he wants to focus on the relatively few political texts, the ones written over and neutralised by the counterrevolutionary priestly redactors. The leitmotiv for these texts is the hint of rebellion against Yahweh, however subdued it might be. The politics of interpretation In the end, the key feature Bloch wishes to introduce into historical criticism is the category of class, since the Bible is very much a text of both those who labour and those who live off that labour.
1294; see also Bloch 1995, p. 1181; Bloch 1985, Volume 5, p. 1390. 22 Marx 1975, p. 309. 23 Bloch 1998, p. 323; Bloch 1985, Volume 9, pp. 367–8. 24 Bloch 1995, p. 221; Bloch 1985, Volume 5, p. 254. 25 Reading Bloch is rarely tedious, and we soon ſnd a collection of delectable phrases that mark his love of and saturation by the Bible. 29 Bloch’s system, then, is unthinkable without the Bible. For there is an extraordinary charge in reading Bloch. His style has always been a source of delight and consternation, often incomplete, missing the various elements of the more conventional sentences (most notably the verb), declaratory when speaking of the most ephemeral of matters and tentative where the ground is ſrmer.
Bloch 1995, p. 1100; Bloch 1985, Volume 5, p. 1293. 17 Other examples include the biblical references in the discussion of the ‘cryptic collective’ and Christ-like utopia of marriage (Bloch 1995, pp. 330–1; Bloch 1985, Volume 5, pp. 384–5), the gradual suppression of dance from the Bible onwards (Bloch 1995, pp. 401–2; Bloch 1985, Volume 5, pp. 465–6), the task and suffering of the Jews in history (Bloch 1995, pp. 609–10; Bloch 1985, Volume 5, pp. 711–12), the world-creator as modeller and architect, taken from Egypt to Israel and then to the idea of the new heaven (Bloch 1995, pp.