By L. Sauerberg
Over the past many years of the 20 th century it has develop into more and more tough to think about British literature as 'national' or 'mainstream'. The ebook investigates modern fiction and poetry written in, or on the subject of, Britain and uncovers a special feel of a brand new and varied nationwide and social truth. Tracing literary results of migration, globalization, and regionalization the e-book makes a speciality of literary culture as an concept or item of hate and frustration for the exploration and expression of post-Imperial reviews.
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Additional info for Intercultural Voices in Contemporary British Literature: The Implosion of Empire
As the English northsouth divide clearly demonstrates, a social perspective must accompany regional considerations, as must perspectives of ethnicity and gender. When indeed marginality has become a productive space (Wadham-Smith, 1999:108), that space is somewhere that allows both for the exploration of what against traditional backgrounds is seen as off-centre and for the most individual of cultural mixes, constituted by geographical, social, cultural, ethnic and gender elements quite apart from the circumstance that literature is hardly any longer generically pure and most rewardingly explored by keeping a keen eye on the determining forces of one or several of these in the case under consideration.
When you apparently sought to arrest this slide of impotence at Suez, you succeeded only in stage-managing one of the most pitiful bungles in the history of the world, if not the worst. Further, your governments have shown themselves successively incapable of ruling and have handed over effective control of the country to the trade unions, who appear to be dedicated to the principle of doing less and less work for more money. This feather-bedding, this shirking of an honest days work, is sapping at ever-increasing speed the moral bre of the British, a quality the world once so much admired.
No doubt representations of England inherited from a pastoral tradition and cultivated as such in the Georgian poetry of the early twentieth century have persisted in minds both inside and outside England. The shires image of England as invoked in, for instance, Edward Thomass often quoted 1915 poem Adlestrop is an image taken for granted as the ultimate justication of an English way of life worth dying for in Rupert Brookes sonnet The Soldier from 1914. Compare the nal stanza of Thomass well-known poem with the concluding verses of Brookes even better-known, and, to some readers, infamous sonnet.