By Julian Wolfreys, Kenneth Womack, Ruth Robbins
Key suggestions in Literary Theory presents authoritative and distinct definitions of the main major phrases and ideas at the moment utilized in psychoanalytic, poststructuralist, Marxist, feminist, and postcolonial literary reports. the quantity additionally offers transparent discussions of the most parts of literary, serious, and cultural concept, supported by way of bibliographies and a chronology of significant thinkers. Accompanying the chronology are brief biographies of significant works via each one critic or theorist.
This revised version of this entire reference comprises definition for greater than seventy new phrases and ideas, from Absurdism and Aga Saga to Writerly texts and Zeugma; a broader number of classical rhetorical phrases; an multiplied chronology with a much broader historic and cultural diversity, from Immanuel Kant to G.W.F. Hegel and bell hooks; and richer bibliographies together with key texts through significant critics.
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Additional info for Key Concepts in Literary Theory
Far from being either fully, unequivocally communicative in a stable, fixed fashion, or being determined by an agreed multiplicity of signification the effects of writing displace decidable signification through excess and overflow ungovernable, as Derrida makes clear, by any concept of communication. However, the term is not negative. Derrida insists that dissemination is affirmative in that it insists on both the multiplicity and heterogeneity of meaning, irrecuperable within any semantic horizon.
Counter-history/counter-memoryÐTerms employed by Michel Foucault in his critique of psychology's official historical account of the history of madness socially and institutionally conceived. Conventional historical models of narrative are grounded in psychological terms of continuity and identity. In contradistinction to such models, Foucault seeks through various reading strategies and the deployment of various concepts to resist any monolithic history of mental illness. Treating the various modalities of discourse at different historical moments, Foucault offers a discontinuous counter-history.
According to Austin, performatives cannot be true or false, only felicitous or infelicitous, so the pronouncement on the part of the priest when uttered in a play, novel or film is infelicitous. However, this has been extensively and comprehensively brought into question in the work of Jacques Derrida, who argues that a performative maintains its force and the possibility of doing something with words regardless of the context. There are other types of speech act for Austin. Locutionary acts are, in Austin's words, `roughly equivalent to uttering a certain sentence with a certain ``meaning'' in the traditional sense'.