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By Cornelia Gr Bner, Arturo Casas, Cornelia Grabner

During the last many years, the poetry functionality has constructed into an more and more renowned, different, and intricate artwork shape. In theoretical and demanding discourse, it truly is often called functionality poetry, spoken observe poetry, and polipoesía; a few theorists argue that it's an self reliant poetic style, others deal with it as a modern manifestation of oral poetry or of the poetry recital. The essays gathered during this quantity take in the problem that the poetry functionality poses to literary conception. Coming from various disciplines, together with Literary reviews, Theater reviews, and zone stories, participants strengthen new techniques and analytical different types for the poetry functionality. They draw on case reviews from various contexts and in numerous languages, together with Brazilian Portuguese, Dutch, Catalan, English, French, Galician, and Spanish. Essays are prepared in 3 sections, which specialize in severe and theoretical methods to the poetry functionality, at the mediatic hybridity of this artwork shape, and at the ways that the poetry functionality negotiates locatedness via engagements with house and position. The constitution of the amount intersperses essays on concept and research with self-reflexive essays from functionality poets all alone functionality perform

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3 (May-June 2000): 322–29. Mourits, Bertram. 4 (December 2002): 322–42. Vinkenoog, Simon, ed. Poëzie in Carré op 28 februari 1966 in Theater Carré, Amsterdam. Amsterdam: De Bezige Bij, 1966. 52 | Gaston Franssen Thamyris/Intersecting No. 24 (2011) 53–70 Artimanha, the Precise Moment of Being: Performance and Carnival in the Poetry of Brazil’s Nuvem Cigana Jeffrey Manoel Pijpers a palavra precisa lança o som à velocidade da luz onde nós e você dominamos o espaço a imagem fala por si e por mim ..........

Eds. Krystyna Pomorska and Stage Fever and Text Anxiety | 51 Stephen Rudy. Cambridge, MA: Belknap Press of Harvard University Press, 1987. 368–78. Joosten, Jos. ” De Standaard 21 December 2000. Joosten, Jos, and Thomas Vaessens. ” Postmodern Writing and Cultural Identity. Ed. Th. D’haen and P. Vermeulen. Amsterdam: Rodopi, 2006. 15–53. M. De kunst van het declameren. Trans. N. Suringar. Leeuwarden: Suringarm, 1856. H. De declamatie; of de kunst van declaméren of recitéren en van de mondelinge voordragt of uiterlijke welsprekendheid in het algemeen.

29. “Het moment dat ik de niet-beheersing beheers. ” 30. ” 31. “de achtergebleven / Kunstenaarskaste:/ De conventionele/Akteurs (waarvoor tot/Mijn grote verbazing/Nog steeds Akademies/ Bestaan)”; “Met gruwelijke/Stemverheffing/ Eis ik de uit-/Levering van enkele/ Vooraanstaande/Toneelpedagogen/(Met als hoofddoel/De direkteur):” 50 | Gaston Franssen 32. ” 33. “Droom vrijuit/. . ” 34. ‘Misvatting omtrent scene zoveel’ 35. “Resultaat van een werkdag//Druk in de weer met/Het inpraten van een/ Zelfmoordpoging aan/Een 3maal in de week/ TVdagsluitende dominee & /Kijkend Nederland kijkt/Verrast op als hij/Na een gepreveld Amen/Met een dubbelloops/Pistool een kogel/ Z’n keel inschiet:/Aamborstig krijg ik/In de ontstane lachstuip/Een onanatievisioen/Van een fijnbesnaarde/Rubberplanter in de/Matto Grosso door & /Zenuwachtig zoek ik/Naar het verband .

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